Follow-The -Leader (High Country) Workshop May 6 -- 8, 2025 $600 / person 10:00-3:00 p.m. Daily







Follow-The -Leader (High Country) Workshop May 6 -- 8, 2025 $600 / person 10:00-3:00 p.m. Daily
Immerse Yourself in the Beauty of the Carolina High Country
Join us for an inspiring 3-day painting workshop dedicated to capturing the breathtaking mountains, and flowing waters of the Carolina High Country. This session is perfect for artists of all levels who want to refine their skills and bring nature’s beauty to life on canvas.
Led by Andy and assisted by additional skilled instructors, you’ll learn a step-by-step method to paint landscapes, including water cascades, rugged rocks, peaceful shorelines, and majestic trees. Whether you’re a seasoned painter or a beginner, you’ll leave with valuable techniques and exciting new approaches to elevate your art.
Workshop Highlights:
Focused guidance to create dynamic, vibrant landscapes.
Demonstrations to walk you through every step of the process.
A chance to work on your paintings and receive expert feedback from Andy to make them truly stand out.
Participants are required to bring their own materials and supplies. A detailed materials list will be sent to you prior to the workshop.
Don’t miss this opportunity to connect with fellow artists, explore the stunning High Country, and transform your painting skills!
Spaces are limited, so reserve your spot today!
F- T- L High Country WORKSHOP
with Andy Braitman —supply list
MAY 6th, 7th, and 8th, 2025
Materials List:
Oil brushes of various sizes,
including some flats and wash brushes (I will have Richeson wash brushes for sale if you do not have them! A good clean palette knife
3 prepared canvases, at least 18 x 24 or larger (24 x 30 or 24 x 36 inches);
please see instructions following this list
A full set of oil colors (basic palette)
2 reds: Magenta
Azo red deep
And or Quinacridone Rose
3 yellows: Cadmium lemon
Cadmium yellow medium
Still De Grain or Transparent Yellow Oxide
2 blues: Ultramarine Blue
Pthalo Blue
Mixed black (we will make from Burnt Sienna & Ultramarine Blue)
A large tube of good white (recommend Utrecht White/Artist’s Oils or Permalba)
Any OPTIONAL colors you may want to add to your basic palette in the last stage of the painting
Medium: A painting medium is essential. Alkyd painting medium (like Res-N-Gel) or Liquin. I will bring a few bottles of Andy Braitman’s special medium “recipe” (a mixture of liquin, stand oil, linseed oil and Gamsol) if you want to purchase it at $40.99/large bottle.
IN ADDITION TO THE ABOVE COLORS MY FULL PALETTE CONSISTS OF:
Cadmium orange Utrecht Permanent Green Light
Williamsburg Alizarin Yellow Williamsburg Permanent Green Light
Raw Umber Manganese Blue
Williamsburg Turkey Umber Dioxazine Purple
Please allow 3-4 days for this to dry
It is very important to accomplish this canvas prep
before coming to the workshop
Please let me know if you have any problems finding the paints you desire. I may be able to bring up any material that you can not find, and allow you to purchase them from me as I have a fairly large selection of colors and brushes in my studio.
3 prepared canvases (please see instructions below)
reference photographs—I will have some for your to work from, or you may use your own—If you use my references for at least one painting it will help to facilitate the Follow-the-Leader process
painting apron
a roll or two of paper towels
vegetable oil and Dawn dishwashing detergent (I will teach you how to clean your brushes using these items)
trash bag
a pallet or paper palette
Example of first layer (done at home prior to workshop):
At Home,
PRIOR to our
workshop:
1: Apply at least two coats of gesso on your canvases, allowing it to dry thoroughly between layers.
This will rob the canvas of its woven texture, and allow you to build a new directional surface on subsequent layers. Cheap Joe’s green label white gesso or Jerry’s Artarama Gesso is the best for this. Lay it down heavily and randomly (it will settle down as it dries).
2: After the Gesso dries thoroughly, Coat the entire canvas with an aggressive layer of color using a large brush and a lot of painting medium
- This will make the surface slicker for each subsequent layer and allow you to provide energy in this and the next layers
- This will provide interest and kill the white of the canvas
3: This is not intended to give you a head start, just a random and exciting color and surface for you to react to and to allow you to make the longer strokes necessary for your first layer of the painting